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The Chaca and her FIATs

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  La Chaca The Chaca above is an emblem used originally by the 2 nd Fighter Regiment of the Fuerza Aèrea Argentina, the Argentine Air Force. It represents an enraged Latin maid, or a housekeeper, armed with a broom, who’s about to bring her force to bear on someone who’s intruding into her space. (Whoever has experienced that, knows how terrifying that can be).   Although she looks very fierce and deadly, the Argentines thought that even the Chaca, in a modern confrontation, could have used some force multipliers in the form of a group of fighter aircraft. Attilio Baldini and Sergio Bontti recounts the story of how the Chaca came to adorn the noses of the FIAT G.55 fighters of the Fuerza Aérea Argentina, in this article, originally translated from Spanish into Italian by Silvano Martí, that I took and translated to English from the n. 137 issue of Ali Antiche magazine. I hope you will find it interesting. Your comments, as usual, will be very appreciated. Thanks, L. Pavese
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KAKKU

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Gli alianti da trasporto giapponesi della seconda guerra mondiale Di James E. Mazrek Nel 1937, mentre era in corso la guerra cino-giapponese, i giapponesi ordinarono la costruzione di tre libratori sperimentali, il Tachikawa Ki-23 e -25, e il Fukada Ki-24. Il Ki-23 era un aliante monoposto, gli altri erano velivoli biposto. Il Fukada si dimostrò eccellente, e fu messo in produzione nella sua versione civile, denominata Hikara-6-I. Quando scoppiò la seconda guerra mondiale, in Giappone cominciarono a filtrare notizie sulla tattica con la quale gli alianti erano stati impiegati dai tedeschi nella loro invasione dell’Occidente. Sulla base di queste informazioni e della sua esperienza con i libratori della serie Ki, l’Esercito Imperiale lanciò un programma per dotarsi di alianti da trasporto. I lavori sul primo libratore iniziarono nel giugno del 1940, un mese dopo l’assalto tedesco per mezzo di alianti alla Fortezza Eben Emael belga. L’esercito designò la propria serie di alianti Ku, dall
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Let the slaughter begin

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                               The following is the translation from Italian of a chapter of Gabriele Adinolfi's book  Orchestra Rossa,  published by AVATAR editions. The subtitle of the book reads: "Massacres: the truth that may not be told." The massacres began with the ruthless bombing of a Milan branch of the Banca Nazionale dell'Agricoltura in 1969. That year marked the beginning of a bloody terrorist campaign in Italy. The truth about who carried it out cannot be told, at least openly, because it conflicts with the official version of the events, that has been enshrined now in books, films, documentaries and sadly even in the final decisions issued by some Italian courts.  The disastrous Italian defeat in WWII was followed by the total loss of sovereignty of the Italians over their own land. The defeat turned Italy from an open battlefield to a terrain disputed in a covered war among foreign and domestic combatants, which turned sanguinary during the 1970's
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